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07 April 2014

About Georgie Fame / Albums / History and more

Georgie Fame, new CDs out:




Singer (2014) - Georgie Fame and Madeline Bell
On propermusic.com, available by 7th April 2014
"Singer, the new album written by Georgie Fame and Steve Gray, and performed by Madeline Bell, tells the life story of a female vocalist. The live concert performance, recorded in Tilburg, Holland in 2004 will be available for the first time from the 7th April."
Lost in a lover's dream (2012) - Georgie Fame
Three Line Whip
Album review & description here
Georgie working with two other musicians, guitarist Primoz Grasic and bass player Mario Mavrin, both from the Balkan.







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More stuff about Georgie:

The INDEPENDENT:

Pop music: Fame at the Flamingo: golden years in Soho 

(widely shared on social networks)
Georgie Fame and his band were regular performers at a nightclub that was a catalyst for British music in the early Sixties. He looks back at the scene of his best years in London with James Maycock.

The early Sixties: political scandals, mods, defecting spies, the Pill, and TV shows such as Ready, Steady, Go. The class system was crumbling, sexual morals were changing and American clothes, comics and music, especially black music, were in demand. And Georgie Fame and the Blue Flames were performing regularly at The Flamingo, Wardour Street, between 1962 and 1965.

This bawdy Soho nightclub played a small but important part in the intrigue and excitement that generated the atmosphere of the first half of the Sixties. Fame recalls that "there were only a handful of hip young white people that used to go to The Flamingo. When I first went there as a punter I was scared. Once I started to play there, it was no problem."

The club closed at 6am, enabling musicians like Alexis Korner to play there after performing elsewhere. Christine Keeler finished working in Bond Street at 3am and often dashed over to Wardour Street for the next three hours. Fame remembers that half the clientele were West Indian while "the other half were black American GIs mixed up with a few gangsters and pimps and prostitutes". The West Indian "Lucky" Gordon, and Johnny Edgecombe were, according to him, "both involved with Christine Keeler down The Flamingo". "Lucky" Gordon's brother, "Psycho" Gordon, occasionally joined Georgie Fame's group on stage.

As well as being captivated by jazz and such blues musicians as Willie Mabon, Fame was one of the first white artists to be intrigued by ska, sniffed at by the British music press. He heard it in Jamaican cafes in and around Ladbroke Grove, and his trumpeter, Eddie Thornton, was Jamaican.

His group also performed at The Roaring Twenties, a nightclub off Carnaby Street run by Count Suckle, an influential Jamaican DJ. Fame says: "Suckle had a fantastic record collection. He used to get direct imports from Memphis and the Caribbean ... all the old bluebeat stuff was being played in the clubs where we played."

Fame made firm friends with many black American soldiers who visited the Flamingo. They would play him the latest jazz and blues releases from America, three of which affected him so powerfully that they inspired him to move from the piano to the Hammond organ. Hearing "Midnight Special" by Jimmy Smith, "Grooving With Jug" by Gene Ammons and Richard "Groove" Holmes and "Green Onions", the seminal single by Booker T and the MGs within two days convinced him he had to change.

Fame describes the Flamingo as "a great breeding ground". The lauded British jazz musician Tubby Hayes and the Johnny Birch Quartet, which included Ginger Baker and Jack Bruce, who later launched Cream with Eric Clapton, often performed at the club. Members of Duke Ellington's orchestra and Count Basie's group, when touring England, were also drawn to it. Fame remembers one face in the crowd: "Cassius Clay, as he was then, came down when he first fought Henry Cooper. Cassius would come into town and say, `Where do the brothers hang out?' He'd be told they all go down The Flamingo."

During these years, Georgie Fame and the Blue Flames completed a forbidding but exhilarating schedule. As well as performing at Klook's Kleek, Ricky Tick's and The Scene during the week, they would often appear in two non- adjacent counties on Saturday night. "We'd be coming in from playing an American air force base somewhere in Suffolk and we'd throw the gear back in the wagon and drive back to London and get back to the all-nighter in time for our set. We did the one o'clock and the 4.30am set. The guys would open the way through the crowd for us and help us carry the shit on to the stage." A stabbing at the Flamingo prompted the American air force authorities to ban servicemen from the nightclub, which would soon throng with mods.

"Yeh Yeh" was originally recorded by the Latin percussionist Mongo Santamaria, but the jazz singer Jon Hendricks added the lyrics and performed his version at the Newport Jazz Festival in 1963. Fame bought the album of this concert and the song was soon added to his repertoire. His own recording of it reached the top of the British charts in January 1965, displacing "I Feel Fine" by The Beatles. His success led to less frequent performances at the Flamingo, which today he confesses was "my greatest time in London".

In 1966, Rik Gunnell, the owner of club and manager of Georgie Fame and the Blue Flames, persuaded Fame to dissolve his group and concentrate on a solo career, "Mitch" Mitchell, the drummer in the Blue Flames, was hired to join Jimi Hendrix's group the day that Georgie Fame and Blue Flames disbanded. Fame was not overjoyed at some of the material he was expected to record as a solo artist, but it did give him the opportunity to tour with Count Basie, an experience he describes as "terrific".

Today, Fame, who was christened with the name of Clive Powell, exudes a boyish charm and commands respect from his musical peers. For the past 10 years he has worked intimately with Van Morrison's projects as well as performing his eclectic style of music with his own group, which now includes his two sons, Tristan and James. He has recently recorded with Bill Wyman and regularly plays with big jazz orchestras in England and on the Continent.

His passion for the power of the blues, jazz, ska and Sixties soul music remains undimmed: "When I do gigs in England I have a lot of young people coming up and asking me to take the back off the Hammond organ to look inside it because they can't believe it makes that noise. They've all been raised on that digital nonsense."
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Flamingo Jazz Club, Soho
The Flamingo club opened it's doors in 1952 in Wardour St., originally called "Jazz at the Mapleton". The Flamingo operated out of a dingy basement until the first half of the 1960s, has become legendary amongst cultural buffs of the city and was recently featured in the BBC2 documentary Soul Britannia, which looked at the history of Soul music in the UK. The club is also referred to in Albert Lee's biography in connection with Chris Farlowe. The Flamingo was THE place to go in 1966 along with the Marquee just down the road and The Ship opposite.



Heaven and Hell in Soho - situated next door but one to the 2is. Another legendary 50s coffee bar in London.










28 Juni 2013

Chris Farlowe & The Thunderbirds

Chris Farlowe & The Thunderbirds wurden in den Szenen von Hamburg und London immer bekannter. Die Gefolgschaft der Thunderbirds wuchs, und es wurde die erste Single aufgenommen, Air Travel. Durch Air Travel wurde Columbia Records aufmerksam, und es entstanden fünf weitere Scheiben, allerdings ohne den verdienten Verkaufserfolg. Buzz The Fuzz wurde bei den Mods beliebt und beim Stormy Monday Blues glaubte jeder an einen schwarzen Bluesman. 'Little Joe Cook' war kein anderer als Chris.

Albert Lee hatte eine hohe Meinung von der Qualität der damaligen Band, aber das brachte kein Geld. Die Wende kam 1966 in Gestalt von Andrew Loog Oldham. Oldham war damals noch Manager der Rolling Stones und Gründer des neuen Labels „Immediate". Was lag näher, als die Songs der Rolling Stones zu covern und sich Mick Jagger als Produzenten zu holen? Die Rolling Stones arbeiteten zu dieser Zeit an „Aftermath". Chris erzählt bei seinen Gigs davon, dass Mick Jagger und Keith Richards „Out Of Time" speziell für ihn geschrieben hatten.

Older photos:
Albert: "In May 1964, I joined Chris Farlowe and I stayed with him 4 years. I thought it was a great band - the best in Britain at what we did... but we never got much in the way of recognition or public acclaim. It was very frustrating; we'd support bands like The Animals, who were terribly ragged in comparison, with very little feeling or finesse - and they'd go down a storm while we got a smattering of applause from the few punters who weren't in the bar. I've got tapes of some of our gigs and they still stand up - some of our stuff was killer! Farlowe was a dynamite singer! But there was practically no crowd reaction. We worked solidly for years ... tours, one nighters, all nighters, doubles, trips to Germany and Scandinavia - we went all over the place, but we never cracked it beyond a certain level."

Line up:
Chris Farlowe - vocals
(born John Henry Deighton, October 13th 1940, Essex)
Albert Lee - guitar
Dave Greenslade/Pete Solley - keyboards
Rick Charmon/Bugs Waddel - bass
Jerry Temple - congas
Johnny Wise/Ian Hague/Carl Palmer - drums


(photo left: Thunderbirds 1965)

"By the end of '67, Farlowe had decided to revamp the band - so it was him backed by a trio, with Pete Solley (aka Pete Shelley & Pete Sheridan) playing bass pedals as well as the usual stuff on his organ...but by this time I was getting a bit bored with R&B and the way the rock scene was going. Everyone was into huge Marshall stacks and maximum power, and that sort of thing held no appeal for me."

Some Links:
Chris Farlowe & The Thunderbirds in brief
The British Sound, Thunderbirds various line-ups


Recent photos:
Ocober 2010. With another former "Thunderbird",
Dave Greenslade at Berlin's Kesselhaus after a Colosseum Gig.


Albert and Chris Farlowe at St Veit Burgkultur Festival, Austria, Sep 2010 - two old mates smiling just for me: these two enjoyed each others company, sharing memories and having fun.


Chris Farlowe joining Albert Lee & Hogan's Heroes
at St Veit Burgkultur Festival, Austria, Sep 2010
(STORMY MONDAY BLUES).

Chris Farlowe with Albert, Sep 2006,
at 100Club London. Chris showed up and joined the band for one song as a surprise guest.









Albert Lee Recordings w/Chris Farlowe/Thunderbirds:


1992 / 2013

Waiting In The Wings - Chris Farlowe (1992 / re-released 28 June 2013)
Zur Produktion holte man 1992 bekannte Namen der Rockszene. Alleine die Liste an Gitarristen ist beachtlich: Alvin Lee (ex Ten Years After), Albert Lee, Mickey Moody (ex Whitesnake), Clem Clempson (ex Humble Pie/Colosseum), Geoff Whitehorn (If, Roger Chapman) und die beiden Studio-/Sessiongitarristen Phil Palmer und Tony Crooks. Am Bass wirkten Boz Burrel (King Crimson, Bad Company), Leo Lyons (Ten Years After) und Sessionbassist Kuma Harada mit. Am Schlagzeug saß Charlie Morgan, an den Keyboards Tim Hinkley und Andy Nye. Sam Brown sang Backing
Vocals ein.


1977 and earlier


Chris Farlowe & The Thunderbirds Featuring Albert Lee (1977) - Chris Farlowe & The Thunderbirds
UK 12-track compilation






e

Live! (1975) - The Chris Farlowe Band
RECORDED AT THE MARQUEE (28/7/75) AND THE LYCEUM (6/8/75), POLYDOR, CD reissue Out Of Time CDEC 7 Tracks: We're Gonna Make It / Rhyme And Time* / Peace Of Mind* / After Midnight / Only Women Bleed / Mandy* / Hot Property / Handbags And Gladrags / Medley: You Haven't Done Nothin' - It Ain't No Use*, CD bonus track: We Can Work It Out
Chris Farlowe: vocals with Albert Lee, guitar; Jean Roussel, keyboards; Pat Donaldson, bass; Gerry Conway; Chris Mercer & Ron Carthy: The "Gonzales" horns; Madeline Bell & Joanne Williams: backing vocals



Moanin' (1967) - Chris Farlowe & The Thunderbirds
Line-up:
Chris Farlowe - vocals
Albert Lee - guitar
Ricky Chapman - Bass
Peter Solley - Organ
Carl Palmer - drums


CHRIS FARLOWE & THE THUNDERBIRDS Columbia SX 6034, February 1966; reissued as STORMY MONDAY, Music for Pleasure MFP1186, October, 1967; and under it's original title on Charly CR 30021, 1977.
All the tracks (+2) are also on Buzz With The Fuzz
Stormy Monday Blues (Parts 1 & 2) / Reelin' And Rockin' / Just A Dream / Hey Hey Hey Hey / Hound Dog / What You Gonna Do / I Remember / Itty Bitty Pieces / Girl Trouble / Push Push / Voodoo




Dig the Buzz: Complete Recordings 1962-1965 (1962) - Chris Farlowe & The Thunderbirds
Original Release Date: 1962
Audio CD (November 2, 2007)









Some newspaper snippets from the early days:



All nighters at legendary Flamingo Club, Soho/London

OUT OF TIME in the Top Twenty
- from zero to #23, and climbing up -












Chris Farlowe - A review from a UK newspaper, August 2000
(click on the picture to enlarge)